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16,458 recorded words. 2 minutes difference from this book's estimate.
View Gutenberg source #30085The catalog record for Sheffield and its Environs 13th to the 17th century A descriptive catalogue of land charters and other documents forming the Brooke Taylor collection — Context and Discussion provides practical reading context through 17,006 words, 1 hr 14 min estimated reading time, and 3 detected text sections.
The text analysis averages about 33.9 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Sheffield (England) -- History -- Sources,” connecting these edition facts with the source record’s subject description.
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About 72 minutes
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View Gutenberg source #30085About 66 minutes
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T. Walter Hall’s catalogue presents 13th- to 17th-century land charters from the Brooke Taylor collection, focusing on Sheffield’s outlying districts. The work juxtaposes Latin and English deeds, revealing shifts in legal language and script. For instance, a 1399 charter in Latin describes John of Gaunt’s hawking party at Lady Edge, while a 1568 deed in English records a grant from Vincent Mundy to John Weston, written in “bold Arabic numerals” with yellow wax seals. Hall’s commentary highlights changes in documentary form, such as the later deed’s use of English and identical handwriting for signatures and text.
The catalogue’s entries document a transition from Latin to English in legal documents. The 1399 charter, written in Latin, recounts John of Gaunt’s visit to Sir Edward Mundy and the naming of Hawksyard. Hall notes its “bold Arabic numerals” and describes the seals. In contrast, the 1568 deed is in English, with signatures “written in the same hand as the deed,” a practice Hall remarks was “not unusual in the 16th century.” This shift reflects broader linguistic changes in English legal culture. Hall’s descriptions of parchment, seals, and handwriting provide evidence of material and scribal practices, allowing readers to trace the evolution of documentary conventions over nearly two centuries.
Hall’s commentary balances narrative reconstruction with cautious inference. When discussing the 1399 charter, he writes, “If this deed correctly records the facts, we must infer that John of Gaunt owned lands in north Staffordshire.” He then reconstructs the hawking party’s route from Markeaton to Lady Edge, using topographical details like “nearly 1500 feet above the sea” and the presence of grouse. However, he does not present the story as certain; the conditional “if” and “we must infer” signal his awareness that the deed may not be entirely reliable. This careful voice persists throughout, grounding speculation in the documents’ own language and physical features.
The catalogue alternates between dense charter abstracts and expansive narrative passages, creating a varied pace. The 1399 entry, for example, moves from a dry summary of the deed’s date and parties to a vivid account of the hawking party, then back to a precise description of the charter’s seals and measurements. This rhythm mirrors the dual purpose of the work: to serve as a reference catalogue while also offering readable historical sketches. Hall’s inclusion of genealogies and a separate article on Hawksyard further breaks the monotony of charter listings, providing moments of sustained storytelling within a primarily documentary structure.
Readers interested in the materiality of medieval documents will find Hall’s attention to parchment, seals, and handwriting particularly valuable. The catalogue rewards those who compare entries across centuries, noting shifts in language, script, and legal formulae. Hall’s cautious inferences invite scrutiny of the deeds themselves, encouraging a critical approach to the stories they preserve.
Flicking through these Sheffield charters, I kept thinking how deeds are just quiet lives pressed into legal phrases—much like the The Mystery of Mary Stuart — Reading Notes feels like someone’s marginalia after years of pondering. The same patient tracing of family lines, the same hush around what’s unspoken in old documents. It lingers gently, that sense of half-knowing.
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