Old Fort Chartres on the Mississippi River — Inside the Classic

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In Category - Architecture
Faris, John T. (John Thomson), 1871-1949, Public Library of Fort Wayne and Allen County Project Gutenberg 2021 Not confirmed
Illinois -- Antiquities; Fort de Chartres Site (Ill.) -- History; Randolph County (Ill.) -- History Readers of public-domain and historical texts
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Edition facts

Words 4,318
Reading time 19 min
Text sections 1

For Old Fort Chartres on the Mississippi River — Inside the Classic, the stored edition analysis reports 4,318 words, 19 min estimated reading time, and 1 detected text section.

The text analysis averages about 24.1 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Illinois -- Antiquities,” connecting these edition facts with the source record’s subject description.

This editorial note examines how John T. Faris's pamphlet on Fort Chartres uses a specific opening image, layered historical context, and a focus on material remains to guide a first reading of this 1955 reprint.
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Read the Text

Old Fort Chartres on the Mississippi River

Prepared by the Staff of the Public Library of Fort Wayne and Allen County 1955

One of a historical series, this pamphlet is published under the direction of the governing Boards of the Public Library of Fort Wayne and Allen County.

BOARD OF TRUSTEES OF THE SCHOOL CITY OF FORT WAYNE

_Mrs. Sadie Fulk Roehrs_ _B.F. Geyer, President_ _Joseph E. Kramer, Secretary_ _W. Page Yarnelle, Treasurer_ _Willard Shambaugh_

PUBLIC LIBRARY BOARD FOR ALLEN COUNTY

The members of this Board include the members of the Board of Trustees of the School City of Fort Wayne (with the same officers) together with the following citizens chosen from Allen County outside the corporate City of Fort Wayne:

_James E. Graham_ _Mrs. Glenn Henderson_ _Mrs. Charles Reynolds_

The following publication, which narrates the fortunes of Fort Chartres in Illinois, originally appeared as chapter XII in THE ROMANCE OF FORGOTTEN TOWNS by John T. Faris. The publishers, Harper & Brothers, have graciously granted permission to reprint the chapter.

The Boards and the Staff of the Public Library of Fort Wayne and Allen County present this account with the feeling that it is an important part of our heritage and with the hope that it will be interesting and informative to Library patrons.

More than two centuries ago there was an astonishing bit of feudal France on the banks of the Mississippi River. It was called Fort Chartres by those who chose the location near the southern extremity of the fertile American Bottom, which extends from a point nearly opposite the mouth of the Mississippi River nearly to Chester.

On the Bottom there were a number of French villages noted both for the military prowess of the residents and for the sleepy, Old World life of these residents among the Indians, with whom they were on friendly terms.

The present Fort Chartres was occupied in 1720 by Philippe François de Renault, the French director-general of mining operations, who brought with him up the river for the purpose two hundred white men and five hundred Santo Domingo negroes, thus introducing slavery in what became Illinois. The purpose of the fort was to protect against the Spaniards the servants of John Law’s famous Company of the Indies, whose startling scheme for curing the financial ills of France was later known as the Mississippi Bubble. Law’s plan was to set up a bank to manage the royal revenue and to issue notes backed by landed security. In selling shares in his Company of the Indies, which was to accomplish financial wonders, “large engravings were distributed in France, representing the arrival of the French at the Mississippi river, and savages with their squaws rushing to meet the new arrivals with evident respect and admiration.”

Promises of great dividends from mountains of gold and silver, lead, copper, and quicksilver were made. Shares rose rapidly and soon were selling for 20,000 francs. For three months the French people believed in Law. Then the Mississippi Bubble burst and there was sorrow in the homeland.

In the meantime the work at Fort Chartres was continued. Within the stockade of wood, which had earth between the palisades for purposes of strength, were received many wandering savages who brought their furs for barter. The French residents felt secure in the presence of their protection.

Various expeditions were sent out against the Indians. One of these went out against the Chickasaw Indians, on the Arkansas River. Disaster overtook the company of French soldiers, and fifteen were captured and put to death with savage barbarity.

In 1753 the fort was in such bad condition that it was decided to build anew, this time of stone, brought from the bluff. When completed, the new structure was one of the strongest forts ever built in America.

An English traveler who visited the new fort in 1765, when the British were in control, told of finding walls two feet two inches thick, pierced with loopholes at regular distances, and with two portholes for cannon in the faces, and two in the flanks of each bastion. There was a ditch, but this had not been completed. The entrance was a handsome rustic gate. Within the fort he found the houses of the commander and of the commissary, the magazine for stores, and the quarters of the soldiers. There were also a powder magazine, a bunk house, and a prison.

The visitor told how the bank of the Mississippi was continually falling in, and so was threatening the fort. In the effort to control the destructive current a sand bank had been built to turn it from its course; the sand bank had become an island, covered by willows. Yet it was realized that the destruction of the fort was sure.

The pamphlet opens with a striking image: "an astonishing bit of feudal France on the banks of the Mississippi River." This phrase immediately establishes the fort as an anomaly—a piece of Old World order transplanted into the American wilderness. Faris then anchors the narrative in the fertile American Bottom, a geographic detail that recurs as a stage for the French villages and their "sleepy, Old World life." The opening thus primes the reader to view Fort Chartres not merely as a military structure but as a cultural outpost, a lens through which to examine colonial ambitions and daily life.

A Two-Century-Old Snapshot

The foreword reveals that this text originally appeared as a chapter in Faris's The Romance of Forgotten Towns (published by Harper & Brothers). The 1955 reprint by the Public Library of Fort Wayne and Allen County frames it as "an important part of our heritage." This provenance matters: the reader is holding a curated excerpt, not a standalone monograph. The pamphlet's brevity—4,318 words—means every paragraph carries weight. Faris wastes no time on preamble; he plunges into the fort's founding in 1720 by Philippe François de Renault, who brought "two hundred white men and five hundred Santo Domingo negroes," explicitly introducing slavery into the region. This detail, stated without elaboration, signals that the text will interweave grand schemes (John Law's Mississippi Bubble) with blunt social facts.

The Mississippi Bubble as Backdrop

Faris connects the fort's construction to John Law's Company of the Indies, a financial scheme that promised dividends from "mountains of gold and silver, lead, copper, and quicksilver." The pamphlet reproduces a contemporary engraving showing "the arrival of the French at the Mississippi river, and savages with their squaws rushing to meet the new arrivals with evident respect and admiration." This image, described rather than shown, encapsulates the promotional hype that drove speculation. Faris does not dwell on the Bubble's collapse; instead, he uses it to explain why a fort was needed—to protect Company servants from the Spanish. The reader is left to infer the gap between propaganda and reality, a tension that underlies the entire account.

Material Remains and the Reader's Role

Though the excerpts are incomplete, they hint at Faris's method: he moves from historical context to physical description. The fort's walls, gates, and surviving structures become evidence of the French presence. The pamphlet likely describes the stonework, the layout, and the gradual decay after the British takeover. A first-time reader should pay attention to how Faris balances archival sources (like the engraving) with on-the-ground observation. The text is part of a "historical series" aimed at library patrons, so it assumes curiosity but not expertise. The closing sections probably address the fort's later neglect and its status as a historic site, inviting the reader to consider what remains visible today.

Voice and Structure: A Guide to the Pamphlet's Rhythm

Faris's prose is direct and slightly formal, with a fondness for concrete details: "the southern extremity of the fertile American Bottom," "sleepy, Old World life." He avoids academic jargon, making the text accessible. The structure follows a chronological arc from founding to decline, but the pamphlet's origin as a chapter means it may skip some transitions. Readers should note the shift from the fort's military purpose to its social life—the French villages, the friendly relations with Indians, the introduction of enslaved labor. These elements are presented as facts, not arguments, leaving the reader to assemble the larger picture. The pamphlet rewards attention to names (Renault, Law) and dates (1720) that anchor the narrative in a specific moment of colonial history.

This pamphlet offers a compact entry point into a layered history. For a first reading, focus on how Faris uses the fort as a stage for intersecting stories: financial speculation, colonial rivalry, and everyday life on the frontier. The text's brevity means that each detail—the engraving, the mention of slavery, the geographic setting—carries interpretive weight. Consider what the pamphlet leaves out (the collapse of the Bubble, the fort's later fate) as much as what it includes. This is not a comprehensive history but a vivid snapshot, best read with an eye for the tensions between French ambition and American reality.

Holding that pamphlet, I remembered my grandfather's hands turning brittle pages about vanished forts. Stone walls, porcelain, both things we touch to feel time. Chats on Royal Copenhagen Porcelain — Text and Context once gave me that same ache, a quiet wonder at craft outlasting its makers. Strange, how objects keep their silence so loudly.

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