Cupid's Fair-Weather Booke Including an Almanack for Any Two Years (True Love Ought to Last That Long) — Reading Companion

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In Category - Architecture
Clay, John Cecil, 1875-1930, Herford, Oliver, 1863-1935 Project Gutenberg 2017 Not confirmed
Love in art; Months in art; Zodiac in art Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 4,896
Reading time 22 min
Text sections 1

The catalog record for Cupid's Fair-Weather Booke Including an Almanack for Any Two Years (True Love Ought to Last That Long) — Reading Companion provides practical reading context through 4,896 words, 22 min estimated reading time, and 1 detected text section.

The text analysis averages about 21.6 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Love in art,” connecting these edition facts with the source record’s subject description.

This editorial note examines how the opening, middle, and later excerpts of Cupid's Fair-Weather Booke guide a first reading, focusing on the almanac structure, the Hearticulture metaphor, and the shift from weather forecasts to legal text.
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Editorial Edition Score 4.4/5

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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Read the Text

Transcriber’s Note: All errors are the authors’ own.

BOOKS BY OLIVER HERFORD

_WITH PICTURES BY THE AUTHOR_

PUBLISHED BY CHARLES SCRIBNER’S SONS

THE BASHFUL EARTHQUAKE $1.25

A CHILD’S PRIMER OF NATURAL HISTORY $1.25

OVERHEARD IN A GARDEN $1.25

MORE ANIMALS _net_, $1.00

THE RUBAIYAT OF A PERSIAN KITTEN _net_, $1.00

THE FAIRY GODMOTHER-IN-LAW _net_, $1.00

A LITTLE BOOK OF BORES _net_, $1.00

THE PETER PAN ALPHABET _net_, $1.00

THE ASTONISHING TALE OF A PEN-AND-INK PUPPET _net_, $1.00

A KITTEN’S GARDEN OF VERSES (_postage extra_) _net_, $1.00

_WITH JOHN CECIL CLAY_

CUPID’S CYCLOPEDIA _net_, $1.00

CUPID’S FAIR-WEATHER BOOKE (_postage extra_) _net_, $1.00

CUPID’S FAIR-WEATHER BOOKE

CUPID’S FAIR-WEATHER BOOKE

ALMANACK FOR ANY TWO YEARS (True Love Ought To Last That Long)

_By_ JOHN CECIL CLAY _and_ OLIVER HERFORD

_Direction of_ DANIEL CUPID

Published for _ye Publick Goode_ by Charles Scribner’s Sons New York

To All Good Hearticulturists

In bringing out this, the second volume of the Cupid’s Almanack, we have deemed it advisable to devote our principal effort to informing you, Good Hearticulturists, just what the conditions of the elements will be at the various seasons. This is of the greatest importance, and the success of your work depends largely upon the judgment used in selecting the time to begin.

Enthusiasm is necessary but do not be too impetuous for many a failure has come from rushing ahead while yet conditions are too cold and many a Hope Vine has been killed by a late frost.

If you have started your work indoors do not be in too great haste to set out; young plants need a great deal of warmth and attention and can stand extremely high temperature, while very little cold is apt to be fatal.

In Hearticulture so much depends on—whether?

When I consider how I spent my days, And mind me of the reckless race I ran, I am resolved that I will mend my ways, And swear henceforth to be a Water-man.

General depression, caused by Brain-storms of December. This is succeeded by a wave of Good Resolutions, accompanied by a general downpour of Ice Water. The cold wave may be counted upon to pass quickly, being followed by brighter days and a Rising Glass.

Now forth to fish goes good Saint Valentine, And baits his gentle hook with tender wishes, Cupid has lent his bow for rod and line. Alas! Our time has come—we are the fishes.

Generally frigid airs, varied by storms and melting spells, with changing temperature until the Fourteenth, when a soft wave will sweep over the country accompanied by sentimental Mail Storms, resulting in a general rise of temperament and a happier atmosphere. Husbandmen who are cultivating matrimony will be much troubled through this month by the squally nights.

The wind is like to a Rampageous Ram, That rushes to and fro and round about. I speed my parting hat with futile damn, As my umbrella turneth inside out.

Marked coldness, followed by windy sighs, culminating in stormy bluster. Alternate Frostiness and Melting. A depressing month and one to test the intensity of the heart gardener. All but the hardiest plants must be given extreme attention, and many gardeners, to avoid the danger of a frost, sit up far into the night with their favorite plants during this month. But at the best it is apt to be chilly and unpleasant going. The month ends in calm, indifferent weather.

Thro’ melting clouds the ever-gaining Sun Predicts a rise in Summer’s stock to-day. The Bears of Winter now are on the run, The Bull of Spring o’er April’s Bourse holds sway.

Less cold but very changeable. Brief intervals of smiling weather, succeeded by frowning clouds and petulant showers. Sudden storms, accompanied by floods of tears, which dry rapidly as warmer feeling prevails. The first Spring Hats begin to come out and the mewing of Pussy Willow is heard in the land. The month will end with soft, engaging weather.

Winter the Dotard, fool’d by April’s tears, Is fain to linger in the lap of Spring, When, with her tall twin brothers, May appears, And bids him have no thought of such a thing.

Small birds will begin house-hunting and set the fashion by choosing mates. Soft airs prevail and the skies are rosy. The first leaflets of Spring poetry begin to come out. Occasional warm showers, melting hearts and budding friendships. A few sharp storms, followed by bright making-up weather.

Since it is written “Crabbed Age and Youth Cannot together live,” now strange to tell, The crusty Crab for love of June’s sweet tooth Lays down his life and doffs his armored shell.

The book presents itself as an almanac for lovers, with a title page announcing it is “Published for ye Publick Goode” and an authors’ note addressing “Good Hearticulturists.” The opening immediately establishes a horticultural metaphor: love is a crop to be cultivated, with advice on when to “set out” young plants and warnings against “late frost.” This framing shapes the reader’s expectation that the following months will offer both weather forecasts and romantic counsel.

The Almanac as a Guide to Reading

The book’s structure is explicitly calendrical: each month gets a zodiac sign, a short poem, and a “Cupid’s Forecast.” For January, the forecast mentions “General depression, caused by Brain-storms of December” and a “wave of Good Resolutions” followed by “Ice Water.” The language blends meteorological terms with emotional states, so that a first-time reader learns to interpret each entry as both a literal weather prediction and a commentary on romantic prospects. The February entry continues this pattern, predicting “sentimental Mail Storms” on the Fourteenth. The consistency of this dual meaning across the early excerpts trains the reader to expect playful, layered readings throughout.

The Hearticulture Metaphor in Practice

The authors’ note introduces the central conceit: “the success of your work depends largely upon the judgment used in selecting the time to begin.” This agricultural advice is applied to love, with terms like “Hope Vine” and “young plants” standing in for romantic endeavors. The note warns against “rushing ahead while yet conditions are too cold,” a phrase that works literally for gardening and figuratively for courtship. By the time the reader reaches the monthly forecasts, this metaphor is already active. For instance, February’s forecast mentions “Husbandmen who are cultivating matrimony,” directly linking the almanac’s advice to the reader’s own romantic life. The metaphor is not merely decorative; it provides a consistent interpretive framework.

Shifts in Tone and Audience

The excerpts show a marked shift after the almanac portion. The later text consists of the Project Gutenberg license, a legal document that addresses “anyone anywhere” and uses formal, impersonal language. This contrasts sharply with the earlier sections, which speak directly to “you, Good Hearticulturists” and adopt a whimsical, advisory tone. A first-time reader encountering the full text will need to navigate this transition. The license is not part of the original 1911 book but is appended by the digital publisher. Recognizing this boundary helps the reader understand that the creative work ends before the legal text begins.

Evidence from the Excerpts: Specific Observations

  • The January poem begins “When I consider how I spent my days,” echoing the reflective tone of a New Year’s resolution, and ends with a vow to be a “Water-man,” punning on the zodiac sign Aquarius.
  • The February poem uses fishing imagery: “Saint Valentine … baits his gentle hook with tender wishes,” and Cupid’s bow becomes a “rod and line.” The final line, “we are the fishes,” reverses the expected perspective.
  • The authors’ note uses the term “Hearticulturists,” a portmanteau of “heart” and “agriculturist,” which does not appear in the monthly forecasts but sets the vocabulary for the entire almanac.

Because the excerpts are limited to the opening and the license, the full scope of the almanac—whether it covers all twelve months, how the poems and forecasts interact, and whether the Hearticulture metaphor persists—remains unknown. A first-time reader should approach the book as a hybrid: part poetry, part parody almanac, part advice manual. The early pages establish a consistent voice and conceit, but the later portions may introduce additional layers or departures. Reading with attention to the horticultural framework will likely yield the most coherent experience.

There’s something tender about the way Cupid’s Fair-Weather Booke lets love age from forecast into fine print—weather gives way to legal text, and you realize devotion is just patience with a filing system. It reminded me of old Hermann Stieffel, whose Hermann Stieffel, Soldier Artist of the West — Edition Insights showed me another kind of lasting: a hand that sketched what it couldn’t keep. Two almanacs, both honest about time’s slow work.

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